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Fahrenheit 451By Ray Bradbury Context In PART 2: The Sieve and the Sand
2 When they reached her house all its lights were blazing.
Fahrenheit 451By Ray Bradbury Context In PART 1: The Hearth and the Salamander
3 And Montag was out the back door lightly, running with the half-empty valise.
Fahrenheit 451By Ray Bradbury Context In PART 3: Burning Bright
4 The helicopter lights shot down a dozen brilliant pillars that built a cage all about the man.
Fahrenheit 451By Ray Bradbury Context In PART 3: Burning Bright
5 Then the lights switched back to the land, the helicopters swerved over the city again, as if they had picked up another trail.
Fahrenheit 451By Ray Bradbury Context In PART 3: Burning Bright
6 Now there was only the cold river and Montag floating in a sudden peacefulness, away from the city and the lights and the chase, away from everything.
Fahrenheit 451By Ray Bradbury Context In PART 3: Burning Bright
7 A few house lights were going on again down the street, whether from the incidents just passed, or because of the abnormal silence following the fight, Montag did not know.
Fahrenheit 451By Ray Bradbury Context In PART 3: Burning Bright
8Light flickered on bits of ruby glass and on sensitive capillary hairs in the nylonbrushed nostrils of the creature that quivered gently, gently, its eight legs spidered under it on rubber-padded paws.
Fahrenheit 451By Ray Bradbury Context In PART 1: The Hearth and the Salamander
9 He would lie back and look out the loft window, very late in the night and see the lights go out in the farmhouse itself, until a very young and beautiful woman would sit in an unlit window, braiding her hair.
Fahrenheit 451By Ray Bradbury Context In PART 3: Burning Bright
10 So it was now, in his own parlor, with these women twisting in their chairs under his gaze, lighting cigarettes, blowing smoke, touching their sun-fired hair and examining their blazing fingernails as if they had caught fire from his look.
Fahrenheit 451By Ray Bradbury Context In PART 2: The Sieve and the Sand