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White FangBy Jack London ContextHighlight In PART 4: CHAPTER I THE ENEMY OF HIS KIND
2 The clay of him had been so moulded in the making.
White FangBy Jack London ContextHighlight In PART 4: CHAPTER II THE MAD GOD
3 His heredity was a life-stuff that may be likened to clay.
White FangBy Jack London ContextHighlight In PART 3: CHAPTER VI THE FAMINE
4 This faithfulness was a quality of the clay that composed him.
White FangBy Jack London ContextHighlight In PART 4: CHAPTER II THE MAD GOD
5 Environment served to model the clay, to give it a particular form.
White FangBy Jack London ContextHighlight In PART 3: CHAPTER VI THE FAMINE
6 This had constituted the clay of him, and it had not been kindly moulded by the world.
White FangBy Jack London ContextHighlight In PART 4: CHAPTER II THE MAD GOD
7 It was another instance of the plasticity of his clay, of his capacity for being moulded by the pressure of environment.
White FangBy Jack London ContextHighlight In PART 4: CHAPTER III THE REIGN OF HATE
8 The clay of White Fang had been moulded until he became what he was, morose and lonely, unloving and ferocious, the enemy of all his kind.
White FangBy Jack London ContextHighlight In PART 4: CHAPTER I THE ENEMY OF HIS KIND
9 They were his environment, these men, and they were moulding the clay of him into a more ferocious thing than had been intended by Nature.
White FangBy Jack London ContextHighlight In PART 4: CHAPTER III THE REIGN OF HATE
10 And so, according to the clay of his nature and the pressure of his surroundings, his character was being moulded into a certain particular shape.
White FangBy Jack London ContextHighlight In PART 3: CHAPTER VI THE FAMINE
11 Also, and quite as a matter of course, as though in his life he had already made a thousand toilets, he proceeded to lick away the dry clay that soiled him.
White FangBy Jack London ContextHighlight In PART 2: CHAPTER IV THE WALL OF THE WORLD