FACE in Classic Quotes

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Quotes from Nineteen Eighty-Four by George Orwell
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 Current Search - face in Nineteen Eighty-Four
1  Even O'Brien's heavy face was flushed.
Nineteen Eighty-Four By George Orwell
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2  Something in his face suggested it irresistibly.
Nineteen Eighty-Four By George Orwell
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3  The black-moustachio'd face gazed down from every commanding corner.
Nineteen Eighty-Four By George Orwell
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4  Instantly his face turned scarlet and the water ran out of his eyes.
Nineteen Eighty-Four By George Orwell
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5  He could never see the face of Goldstein without a painful mixture of emotions.
Nineteen Eighty-Four By George Orwell
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6  It resembled the face of a sheep, and the voice, too, had a sheep-like quality.
Nineteen Eighty-Four By George Orwell
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7  O'Brien was a large, burly man with a thick neck and a coarse, humorous, brutal face.
Nineteen Eighty-Four By George Orwell
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8  On each landing, opposite the lift-shaft, the poster with the enormous face gazed from the wall.
Nineteen Eighty-Four By George Orwell
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9  As usual, the face of Emmanuel Goldstein, the Enemy of the People, had flashed on to the screen.
Nineteen Eighty-Four By George Orwell
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10  And again, perhaps it was not even unorthodoxy that was written in his face, but simply intelligence.
Nineteen Eighty-Four By George Orwell
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11  She was a bold-looking girl, of about twenty-seven, with thick hair, a freckled face, and swift, athletic movements.
Nineteen Eighty-Four By George Orwell
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12  The voice of Goldstein had become an actual sheep's bleat, and for an instant the face changed into that of a sheep.
Nineteen Eighty-Four By George Orwell
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13  His hair was very fair, his face naturally sanguine, his skin roughened by coarse soap and blunt razor blades and the cold of the winter that had just ended.
Nineteen Eighty-Four By George Orwell
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14  It depicted simply an enormous face, more than a metre wide: the face of a man of about forty-five, with a heavy black moustache and ruggedly handsome features.
Nineteen Eighty-Four By George Orwell
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15  Suddenly, by the sort of violent effort with which one wrenches one's head away from the pillow in a nightmare, Winston succeeded in transferring his hatred from the face on the screen to the dark-haired girl behind him.
Nineteen Eighty-Four By George Orwell
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16  The self-satisfied sheep-like face on the screen, and the terrifying power of the Eurasian army behind it, were too much to be borne: besides, the sight or even the thought of Goldstein produced fear and anger automatically.
Nineteen Eighty-Four By George Orwell
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17  It was a lean Jewish face, with a great fuzzy aureole of white hair and a small goatee beard--a clever face, and yet somehow inherently despicable, with a kind of senile silliness in the long thin nose, near the end of which a pair of spectacles was perched.
Nineteen Eighty-Four By George Orwell
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