1 "You are always right," said the music teacher, seating herself by the side of her friend.
The Count of Monte Cristo By Alexandre DumasContextHighlight In Chapter 97. The Departure for Belgium. 2 Monte Cristo and Morcerf drew their seats towards a small table, on which were arranged music, drawings, and vases of flowers.
The Count of Monte Cristo By Alexandre DumasContextHighlight In Chapter 77. Haidee. 3 Indeed," said Albert, "it is exquisite; it is impossible to understand the music of his country better than Prince Cavalcanti does.
The Count of Monte Cristo By Alexandre DumasContextHighlight In Chapter 76. Progress of Cavalcanti the Younger. 4 Andrea Cavalcanti's solicitude, his manner of listening to the music at the door he dared not pass, and of manifesting his admiration.
The Count of Monte Cristo By Alexandre DumasContextHighlight In Chapter 76. Progress of Cavalcanti the Younger. 5 The evening passed as evenings mostly pass at Italian theatres; that is, not in listening to the music, but in paying visits and conversing.
The Count of Monte Cristo By Alexandre DumasContextHighlight In Chapter 36. The Carnival at Rome. 6 This manifestation on the part of the spectators of their wish to be allowed to hear the music, produced not the slightest effect on the two young men, who continued their conversation.
The Count of Monte Cristo By Alexandre DumasContextHighlight In Chapter 53. Robert le Diable. 7 From the apartments on the ground-floor might be heard the sound of music, with the whirl of the waltz and galop, while brilliant streams of light shone through the openings of the Venetian blinds.
The Count of Monte Cristo By Alexandre DumasContextHighlight In Chapter 70. The Ball. 8 But as this dream cannot be realized, since Mademoiselle Danglars must become my lawful wife, live perpetually with me, sing to me, compose verses and music within ten paces of me, and that for my whole life, it frightens me.
The Count of Monte Cristo By Alexandre DumasContextHighlight In Chapter 68. A Summer Ball. 9 Another proof that he was a native of the universal country was apparent in the fact of his knowing no other Italian words than the terms used in music, and which like the "goddam" of Figaro, served all possible linguistic requirements.
The Count of Monte Cristo By Alexandre DumasContextHighlight In Chapter 114. Peppino. 10 The count soon heard the rattling of a bunch of skeleton keys, such as the locksmith brings when called to force a lock, and which thieves call nightingales, doubtless from the music of their nightly song when they grind against the bolt.
The Count of Monte Cristo By Alexandre DumasContextHighlight In Chapter 82. The Burglary. 11 Some time after our rupture, you wished to study music, under the celebrated baritone who made such a successful appearance at the Theatre Italien; at the same time I felt inclined to learn dancing of the danseuse who acquired such a reputation in London.
The Count of Monte Cristo By Alexandre DumasContextHighlight In Chapter 65. A Conjugal Scene.