PAINT in Classic Quotes

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Quotes from Les Misérables 1 by Victor Hugo
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 Current Search - paint in Les Misérables 1
1  He was a connoisseur of painting.
Les Misérables 3 By Victor Hugo
ContextHighlight   In BOOK 2: CHAPTER II—LIKE MASTER, LIKE HOUSE
2  This coffer was painted black, and the cabriolet yellow.
Les Misérables 1 By Victor Hugo
ContextHighlight   In BOOK 7: CHAPTER V—HINDRANCES
3  That Greek alone would have been worthy to paint thy mouth.
Les Misérables 1 By Victor Hugo
ContextHighlight   In BOOK 3: CHAPTER VII—THE WISDOM OF THOLOMYES
4  He had painted it himself; for he knew how to do a little of everything, and badly.
Les Misérables 1 By Victor Hugo
ContextHighlight   In BOOK 4: CHAPTER II—FIRST SKETCH OF TWO UNPREPOSSESSING FIGURES
5  In addition to this the dining-room was ornamented with an antique sideboard, painted pink, in water colors.
Les Misérables 1 By Victor Hugo
ContextHighlight   In BOOK 1: CHAPTER VI—WHO GUARDED HIS HOUSE FOR HIM
6  We alter a few names, for history relates and does not inform against, but the deed which we shall paint will be genuine.
Les Misérables 4 By Victor Hugo
ContextHighlight   In BOOK 10: CHAPTER II—THE ROOT OF THE MATTER
7  His massive couch, all covered with gilding, with great branches of lilies painted on the panels, thundered noisily along.
Les Misérables 2 By Victor Hugo
ContextHighlight   In BOOK 3: CHAPTER VI—WHICH POSSIBLY PROVES BOULATRUELLE'S ...
8  The bookcase was a large cupboard with glass doors filled with books; the chimney was of wood painted to represent marble, and habitually without fire.
Les Misérables 1 By Victor Hugo
ContextHighlight   In BOOK 1: CHAPTER VI—WHO GUARDED HIS HOUSE FOR HIM
9  To paint with words, which contains figures one knows not how or why, is the primitive foundation of all human languages, what may be called their granite.
Les Misérables 4 By Victor Hugo
ContextHighlight   In BOOK 7: CHAPTER II—ROOTS
10  Nothing can be more melancholy than these reprisals in painting, by a pack of cards, in the presence of stakes for the roasting of smugglers and of the cauldron for the boiling of counterfeiters.
Les Misérables 4 By Victor Hugo
ContextHighlight   In BOOK 7: CHAPTER III—SLANG WHICH WEEPS AND SLANG WHICH LAUGHS
11  As for the Parisian populace, even when a man grown, it is always the street Arab; to paint the child is to paint the city; and it is for that reason that we have studied this eagle in this arrant sparrow.
Les Misérables 3 By Victor Hugo
ContextHighlight   In BOOK 1: CHAPTER XII—THE FUTURE LATENT IN THE PEOPLE
12  Near this barricade he observed the old chapel of Saint Nicholas, painted white, which stands at the angle of the cross-road near Braine-l'Alleud; he bent down and spoke in a low voice to the guide Lacoste.
Les Misérables 2 By Victor Hugo
ContextHighlight   In BOOK 1: CHAPTER VIII—THE EMPEROR PUTS A QUESTION TO THE GUIDE ...
13  He respected learned men greatly; he respected the ignorant still more; and, without ever failing in these two respects, he watered his flower-beds every summer evening with a tin watering-pot painted green.
Les Misérables 1 By Victor Hugo
ContextHighlight   In BOOK 1: CHAPTER VI—WHO GUARDED HIS HOUSE FOR HIM
14  His feline eye had just descried, in the recess of a carriage door, what is called in painting, an ensemble, that is to say, a person and a thing; the thing was a hand-cart, the person was a man from Auvergene who was sleeping therein.
Les Misérables 4 By Victor Hugo
ContextHighlight   In BOOK 15: CHAPTER IV—GAVROCHE'S EXCESS OF ZEAL
15  It had not been the grand festival dreamed by the grandfather, a fairy spectacle, with a confusion of cherubim and Cupids over the heads of the bridal pair, a marriage worthy to form the subject of a painting to be placed over a door; but it had been sweet and smiling.
Les Misérables 5 By Victor Hugo
ContextHighlight   In BOOK 6: CHAPTER I—THE 16TH OF FEBRUARY, 1833
16  Upon this board was painted something which resembled a man carrying another man on his back, the latter wearing the big gilt epaulettes of a general, with large silver stars; red spots represented blood; the rest of the picture consisted of smoke, and probably represented a battle.
Les Misérables 1 By Victor Hugo
ContextHighlight   In BOOK 4: CHAPTER I—ONE MOTHER MEETS ANOTHER MOTHER
17  From moment to moment, some huge vehicle, painted yellow and black, heavily loaded, noisily harnessed, rendered shapeless by trunks, tarpaulins, and valises, full of heads which immediately disappeared, rushed through the crowd with all the sparks of a forge, with dust for smoke, and an air of fury, grinding the pavements, changing all the paving-stones into steels.
Les Misérables 1 By Victor Hugo
ContextHighlight   In BOOK 3: CHAPTER IX—A MERRY END TO MIRTH
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