1 The poor beast was in a bad way.
2 very poor people and all with cleft palates.
3 She's a widow now, in consumption, a poor creature.
Crime and Punishment By Fyodor DostoevskyContextHighlight In PART 3: CHAPTER III 4 "Oh, mercy, I do not know," cried poor Pulcheria Alexandrovna.
5 Don't worry the poor woman too much, she is in consumption as it is.
Crime and Punishment By Fyodor DostoevskyContextHighlight In PART 2: CHAPTER VII 6 "Look out," he shouted, and with all his might he dealt a stunning blow at the poor mare.
7 "Oh, dear, I have faith in him, but I haven't slept all night," exclaimed the poor woman.
8 He was very poor, and kept himself entirely on what he could earn by work of one sort or another.
9 Dounia gazed gravely and intently into the poor girl's face, and scrutinised her with perplexity.
10 She had been struck at once by Raskolnikov's poor surroundings, and now these words broke out spontaneously.
11 He was very poor, and there was a sort of haughty pride and reserve about him, as though he were keeping something to himself.
12 She was fond of giving alms to the poor, and was always dreaming of a nunnery, and once she burst into tears when she began talking to me about it.
Crime and Punishment By Fyodor DostoevskyContextHighlight In PART 3: CHAPTER III 13 I am well dressed and reckoned not a poor man; the emancipation of the serfs hasn't affected me; my property consists chiefly of forests and water meadows.
14 But the poor boy, beside himself, made his way, screaming, through the crowd to the sorrel nag, put his arms round her bleeding dead head and kissed it, kissed the eyes and kissed the lips.
15 The door on to the stairs was open to relieve them a little from the clouds of tobacco smoke which floated in from the other rooms and brought on long terrible fits of coughing in the poor, consumptive woman.
Crime and Punishment By Fyodor DostoevskyContextHighlight In PART 2: CHAPTER VII 16 Her gloves, as Razumihin noticed, were not merely shabby but had holes in them, and yet this evident poverty gave the two ladies an air of special dignity, which is always found in people who know how to wear poor clothes.
17 They even began to come into the room; at last a sinister shrill outcry was heard: this came from Amalia Lippevechsel herself pushing her way amongst them and trying to restore order after her own fashion and for the hundredth time to frighten the poor woman by ordering her with coarse abuse to clear out of the room next day.
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