1 Levin recognized some of his own men.
2 She recognized him, and her face lighted up with wondering delight.
3 Darya Alexandrovna could not suppress a good-humored smile as she recognized him.
4 Levin looked about him and hardly recognized the place, everything was so changed.
5 He recognized all his magnanimity, but he did not now feel himself humiliated by it.
6 Anna recognized him, and only then recalled that Vronsky had told her the day before that he would not come.
7 As he took off the cloak, Kapitonitch glanced at her face, recognized her, and made her a low bow in silence.
8 The dresses had to be altered so that they could not be recognized, and they ought to have been ready three days before.
9 He saw clearly, and other people recognized it, too, that he had done a great deal to secure the success of Nevyedovsky.
10 Left alone, Alexey Alexandrovitch recognized that he had not the strength to keep up the line of firmness and composure any longer.
11 His good-naturedly beaming face above the embroidered collar of his uniform beamed more than ever when he recognized the man coming up.
12 Anna glancing down at once recognized Vronsky, and a strange feeling of pleasure and at the same time of dread of something stirred in her heart.
13 Lidia Ivanovna had already begun to calm down, when the next morning a note was brought her, the handwriting of which she recognized with horror.
14 Darya Alexandrovna peeped out in front, and was delighted when she recognized in the gray hat and gray coat the familiar figure of Levin walking to meet them.
15 The marsh could be recognized by the mist which rose from it, thicker in one place and thinner in another, so that the reeds and willow bushes swayed like islands in this mist.
16 She skated a little uncertainly; taking her hands out of the little muff that hung on a cord, she held them ready for emergency, and looking towards Levin, whom she had recognized, she smiled at him, and at her own fears.
17 He appreciated all kinds, and could have felt inspired by any one of them; but he had no conception of the possibility of knowing nothing at all of any school of painting, and of being inspired directly by what is within the soul, without caring whether what is painted will belong to any recognized school.
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