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1 His mother put on the oilsheet.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
2 He'd give you a toe in the rump for yourself.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
3 He called the Friday pudding dog-in-the-blanket.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
4 When you wet the bed first it is warm then it gets cold.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
5 He kept his hands in the side pockets of his belted grey suit.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
6 She played on the piano the sailor's hornpipe for him to dance.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
7 All were shouting and the prefects urged them on with strong cries.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
8 Rody Kickham had greaves in his number and a hamper in the refectory.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
9 His mother had told him not to speak with the rough boys in the college.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
10 The moocow came down the road where Betty Byrne lived: she sold lemon platt.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
11 Rody Kickham was not like that: he would be captain of the third line all the fellows said.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
12 He crept about from point to point on the fringe of his line, making little runs now and then.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
13 He felt his body small and weak amid the throng of the players and his eyes were weak and watery.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
14 The brush with the maroon velvet back was for Michael Davitt and the brush with the green velvet back was for Parnell.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
15 He kept on the fringe of his line, out of sight of his prefect, out of the reach of the rude feet, feigning to run now and then.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
16 The evening air was pale and chilly and after every charge and thud of the footballers the greasy leather orb flew like a heavy bird through the grey light.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
17 Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
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