APPREHENDED in Classic Quotes

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Quotes from A Portrait of the Artist as a Young Man by James Joyce
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 Current Search - Apprehended in A Portrait of the Artist as a Young Man
1  You apprehended it as ONE thing.
A Portrait of the Artist as a Young Man By James Joyce
ContextHighlight   In Chapter 5
2  The first phase of apprehension is a bounding line drawn about the object to be apprehended.
A Portrait of the Artist as a Young Man By James Joyce
ContextHighlight   In Chapter 5
3  You apprehend it as complex, multiple, divisible, separable, made up of its parts, the result of its parts and their sum, harmonious.
A Portrait of the Artist as a Young Man By James Joyce
ContextHighlight   In Chapter 5
4  But, temporal or spatial, the esthetic image is first luminously apprehended as selfbounded and selfcontained upon the immeasurable background of space or time which is not it.
A Portrait of the Artist as a Young Man By James Joyce
ContextHighlight   In Chapter 5
5  When you have apprehended that basket as one thing and have then analysed it according to its form and apprehended it as a thing you make the only synthesis which is logically and esthetically permissible.
A Portrait of the Artist as a Young Man By James Joyce
ContextHighlight   In Chapter 5
6  The hour when he too would take part in the life of that world seemed drawing near and in secret he began to make ready for the great part which he felt awaited him the nature of which he only dimly apprehended.
A Portrait of the Artist as a Young Man By James Joyce
ContextHighlight   In Chapter 2
7  The instant wherein that supreme quality of beauty, the clear radiance of the esthetic image, is apprehended luminously by the mind which has been arrested by its wholeness and fascinated by its harmony is the luminous silent stasis of esthetic pleasure, a spiritual state very like to that cardiac condition which the Italian physiologist Luigi Galvani, using a phrase almost as beautiful as Shelley's, called the enchantment of the heart.
A Portrait of the Artist as a Young Man By James Joyce
ContextHighlight   In Chapter 5