1 For, remember, the fire of hell gives forth no light.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 3 2 Consider then what must be the foulness of the air of hell.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 3 3 Hell is Roman, like the walls of the Romans, strong and ugly.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 5 4 But he would not go to hell when he died; and the shaking would stop.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 1 5 They are, as you know from your catechism, death, judgement, hell, and heaven.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 3 6 Hell is a strait and dark and foul-smelling prison, an abode of demons and lost souls, filled with fire and smoke.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 3 7 Banish from your minds all worldly thoughts and think only of the last things, death, judgement, hell, and heaven.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 3 8 Hell is the centre of evils and, as you know, things are more intense at their centres than at their remotest points.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 3 9 He offended the majesty of God by the sinful thought of one instant and God cast him out of heaven into hell for ever.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 3 10 He had to undress and then kneel and say his own prayers and be in bed before the gas was lowered so that he might not go to hell when he died.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 1 11 Yet even there, on the hill of Calvary, He founded the holy catholic church against which, it is promised, the gates of hell shall not prevail.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 3 12 The particular judgement was over and the soul had passed to the abode of bliss or to the prison of purgatory or had been hurled howling into hell.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 3 13 As, at the command of God, the fire of the Babylonian furnace lost its heat but not its light, so, at the command of God, the fire of hell, while retaining the intensity of its heat, burns eternally in darkness.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 3 14 Lucifer, we are told, was a son of the morning, a radiant and mighty angel; yet he fell: he fell and there fell with him a third part of the host of heaven: he fell and was hurled with his rebellious angels into hell.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 3 15 It broke from him like a wail of despair from a hell of sufferers and died in a wail of furious entreaty, a cry for an iniquitous abandonment, a cry which was but the echo of an obscene scrawl which he had read on the oozing wall of a urinal.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 2 16 The brimstone, too, which burns there in such prodigious quantity fills all hell with its intolerable stench; and the bodies of the damned themselves exhale such a pestilential odour that, as saint Bonaventure says, one of them alone would suffice to infect the whole world.
A Portrait of the Artist as a Young Man By James JoyceContextHighlight In Chapter 3 17 He founded it upon the rock of ages, and endowed it with His grace, with sacraments and sacrifice, and promised that if men would obey the word of His church they would still enter into eternal life; but if, after all that had been done for them, they still persisted in their wickedness, there remained for them an eternity of torment: hell.
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