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Current Search - white in A Portrait of the Artist as a Young Man
1 That was ivory: a cold white thing.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
2 He thought his face must be white because it felt so cool.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
3 Eileen had long thin cool white hands too because she was a girl.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
4 To remember that and the white look of the lavatory made him feel cold and then hot.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
5 So long and cruel they were, though the white fattish hands were not cruel but gentle.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
6 And it was there that the old servants had seen the ghost in the white cloak of a marshal.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
7 He wondered whether the scullion's apron was damp too or whether all white things were cold and damp.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
8 His white silk badge fluttered and fluttered as he worked at the next sum and heard Father Arnall's voice.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
9 But he drank off the hot weak tea which the clumsy scullion, girt with a white apron, poured into his cup.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
10 He wore the white cloak of a marshal; his face was pale and strange; he held his hand pressed to his side.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
11 One evening when playing tig she had put her hands over his eyes: long and white and thin and cold and soft.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
12 The little silk badge with the white rose on it that was pinned on the breast of his jacket began to flutter.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
13 It made you think of dark purple because the grapes were dark purple that grew in Greece outside houses like white temples.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
14 But Mr Gleeson had round shiny cuffs and clean white wrists and fattish white hands and the nails of them were long and pointed.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
15 He was standing on the field; his hand was pressed to his side; his face was pale and strange and he wore the white cloak of a marshal.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
16 He blessed himself and climbed quickly into bed and, tucking the end of the nightshirt under his feet, curled himself together under the cold white sheets, shaking and trembling.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
17 And though he trembled with cold and fright to think of the cruel long nails and of the high whistling sound of the cane and of the chill you felt at the end of your shirt when you undressed yourself yet he felt a feeling of queer quiet pleasure inside him to think of the white fattish hands, clean and strong and gentle.
A Portrait of the Artist as a Young ManBy James Joyce ContextHighlight In Chapter 1
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