1 Mary spoke with animation of their meeting with, or rather missing, Mr Elliot so extraordinarily.
2 The interruption had been short, though severe, and ease and animation returned to most of those they left as the door shut them out, but not to Anne.
3 An account of the concert was immediately claimed; and Anne's recollections of the concert were quite happy enough to animate her features and make her rejoice to talk of it.
4 Anne was not animated to an equal pitch by the circumstance, but she felt that she would rather see Mr Elliot again than not, which was more than she could say for many other persons in Bath.
5 She was the last, excepting the little boys at the cottage, she was the very last, the only remaining one of all that had filled and animated both houses, of all that had given Uppercross its cheerful character.
6 She should put it off as long as she could; but was not easy till she had talked Charles into driving her over on an early day, and was in a very animated, comfortable state of imaginary agitation, when she came back.
7 She was looking remarkably well; her very regular, very pretty features, having the bloom and freshness of youth restored by the fine wind which had been blowing on her complexion, and by the animation of eye which it had also produced.
8 In a long strip of meadow land, where there was ample space for all, they were thus divided, forming three distinct parties; and to that party of the three which boasted least animation, and least complaisance, Anne necessarily belonged.
9 Anne, attending with all the strength and zeal, and thought, which instinct supplied, to Henrietta, still tried, at intervals, to suggest comfort to the others, tried to quiet Mary, to animate Charles, to assuage the feelings of Captain Wentworth.