1 But everything depends on what scale you look at things.
2 The settled, calm look of the young chief changed to an expression of gloom, but he no longer hesitated.
3 The look of exultation and brutal triumph which announced this terrible truth was irresistibly irritating.
4 If you had daylight, it would be worth the trouble to step up on the height of this rock, and look at the perversity of the water.
5 When the eyes of Heyward first met those of his recent guide, he turned them away in horror at the sinister though calm look he encountered.
6 As he repassed the females, he paused a moment to gaze upon their beauty, answering to the smile and nod of Alice with a look of open pleasure.
7 Beyond him again, Duncan could look into the vault opposite, which was filled with savages, upturning and rifling the humble furniture of the scout.
8 In a moment of such painful doubt, Duncan did not hesitate to look around him, without consulting that protection from the rocks which just before had been so necessary to his safety.
9 As the day had now dawned, the opposite shores no longer presented a confused outline, but they were able to look into the woods, and distinguish objects beneath a canopy of gloomy pines.
10 Behind these, the runner leaned against a tree, where he stood the close examination of the scout with an air unmoved, though with a look so dark and savage, that it might in itself excite fear.
11 For a single instant his searching and yet wary glance met the wondering look of the other, and then changing its direction, partly in cunning, and partly in disdain, it remained fixed, as if penetrating the distant air.
12 In such cases he made use of English, broken and imperfect, but sufficiently intelligible, and which he rendered so mild and musical, by his deep, guttural voice, that it never failed to cause both ladies to look up in admiration and astonishment.
13 Duncan now ventured to look at his companions; for, during the most critical moments of their danger, he had been apprehensive that the anxiety of his countenance might communicate some additional alarm to those who were so little able to sustain it.
14 She pointed persuasively along the path with her riding whip, while their eyes met in a look which the young man lingered a moment to prolong; then, yielding to her gentle influence, he clapped his spurs into his charger, and in a few bounds was again at the side of Cora.
15 Though this sudden and startling movement of the Indian produced no sound from the other, in the surprise her veil also was allowed to open its folds, and betrayed an indescribable look of pity, admiration, and horror, as her dark eye followed the easy motions of the savage.
16 "I should like to look at the creature; if it is a true Iroquois I can tell him by his knavish look, and by his paint," said the scout; stepping past the charger of Heyward, and entering the path behind the mare of the singing master, whose foal had taken advantage of the halt to exact the maternal contribution.
17 Cora bestowed an approving smile on the pious efforts of the namesake of the Jewish prince, and Heyward soon turned his steady, stern look from the outlet of the cavern, to fasten it, with a milder character, on the face of David, or to meet the wandering beams which at moments strayed from the humid eyes of Alice.
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